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| Name | Date | Helpfulness | Review | Overall satisfaction | Ease of use | Quality of Manufacture | Durability | Meets Expectations | more... |
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| Amazon.com customer | 2008-07-06 | | Great camera if you know how to use it! | 10 | NR | NR | NR | NR | | | | Helpful? | First , I will say if you love the 4/3rds system then you will love this camera, it is by far the best camera to date in the system. Secondly, I must say that if you are a gear junkie, then this is a great system to get into--Olympus, in my opinion, makes the best lenses for digital imaginable. Now, why do I say, 'if you know how to use it?' The images produced by the E-3, and the E-1, have a film-like quality to them, an almost Leica quality. The color rendition of the E-3 image sensor is beautiful. And the noise it produces (all image sensors produce noise) is also quite lovely compared to other systems. But these qualities are only appreciable if the images have been exposed perfectly and in perfect, or nearly perfect light. So if you rely on your camera to manage exposure for you, if you don't know how to use exposure compensation, or spot metering, or even manual mode exposure, then this camera will force you to learn all about obtaining perfect exposure. Next, I must share with you the only major disappointment that I have in the camera. Yes, it has the fastest autofocus in the world with certain lenses, but more importantly, only in the right light, with the right subject. Much too often, the camera searches for focus far too long, or simply will not find focus at all. If you are a photojournalist or a sports photographer who relies on autofocus, then this is not the camera for you. Finally, you may be wondering why i give the E-3 five stars (I would give ten if Amazon would let me). Because, for the right photographer doing the right kind of photography, this camera is sublime. Its favorite use for me is travel photography, but it is outstanding for fashion, outdoor portraiture, studio work, wildlife (A 300mm f2.8--that's a 600mm f2.8 equivalent, WOW!), street photography, landscape and cityscape (check the 7-14mm f4 lens--the best wide-angle zoom manufactured by anyone), and the list goes on, just not fast-paced sports. So, I highly recommend the E-3 system, with the above caveats, to anyone as a primary system, and to everyone else as a system to supplement an existing Canon or Nikon system. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-06-25 | | Bulk Vs. Quality | 10 | NR | NR | NR | NR | | | | Helpful? | After a lot of research and considering the 40d and the d300, who claim to perform a little better (?), this camera has something they don't have: Image Stabilization! This means lighter and smaller lenses. And if you add the excelent quality of Zuiko lenses, you got a winner by far. Just think about carrying canon's and nikon's huge, fancy and heavy lenses (if you want Image Stabilization) around in a trip, on long walks, and you'll know what I mean. If you want to get great shots and still enjoy your ride, this is the gear. Playing with the buttons and the menus is just a matter of getting used to, and taking shots with iso over 800 is not a daily thing. All in all, outstanding quality, lighter gear and top of the notch optics, makes this camera the one to beat! | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-05-14 | | Superb state of the art Olympus E-3 | 10 | NR | NR | NR | NR | | | | Helpful? | WOW... finally a camera that gives you the sharpness and quality you were always looking for. Five stars to Olympus, well done. The camera is a little bit bigger that previous E-series, a little bit heavier too, well built, very compact and robust, but most importantly feels very comfortable in hands. I'm very impressed by the results, great vivid colors, excellent sharpness, fast autofocus. Low light performance is superb especially with the awesome mechanical stabilization system, even with high ISO (quite a jump from previous E series). I am not a fan of LCD live viewing, but honestly it's of great help is some circumstances (like ground-level or night shots)... especially because you're able to see the changes on light and contrast as you change the values of your depth of field or aperture velocity... this feature allows you to adjust and achieve the right exposure before every shot (although the results are not quite accurate... the pre-shooting live image is pretty close to the actual result). Strongly recommended if you take photography seriously. Money well invested. Disavantages: strap is of poor quality... other than that very impressive camera.
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-04-25 | | Buyer's Remorse? Not here! | 10 | NR | NR | NR | NR | | | | Helpful? | After purchasing the great 8080, the not-so-good E-300, and the amazing E-510, I thought I had finally finished purchasing my last camera for a while. I was completely wrong. After walking into the Calumet store in Oakbrook, Illinois, I simply couldn't help myself. I picked up the camera, attached my venerable 11-22mm wide angle, and completely fell in love. The feel was perfect. The ergonomics and control layout was a step above the 510, and the magnesium body felt solid as a tank. I had honestly thought about stepping up to the Canon 5D, but couldn't bring myself to put this camera down. It now goes with me wherever I go. Plus, I will never have to worry about a dirty sensor. Nuff said. I got a beautiful Leica/Panasonic 14-50mm lens from a guy on eBay, and that has become my lens of choice for most of my work. Although it is not weather-sealed like the 12-60mm, the price was right and the quality is outstanding. One thing I need to point out. This lens has image stabilization built in. I did a side-by side comparison with this system, and Olympus' own in-body stabilization. No comparison! The Oly system completely blows Leica's away. So much for "lens specific" IS systems being superior. I turn it off and keep it off. Bravo, Olympus! I see the other systems adopting your leadership in this regard. Thanks for a great system! | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-04-19 | | A wonderful camera | 10 | NR | NR | NR | NR | | | | Helpful? | I LOVE this camera! The first thing I noticed about this camera was the feel of it in my hand. It was so comfortable, in spite of the weight, that I felt I could easily take pictures all day long in superb comfort. I have tried Canon and Nikon (obviously) and the grip felt compromised compared to the Olympus which was rugged and balanced. It felt like I was never going to drop it either - quite important. Soon after I bought it though, I noticed that the autofocus was getting less and less reliable until it packed up ALTOGETHER. I was upset as I wanted to take it with me to England but I had to get it fixed for another date soon after I returned from my trip. The people at Olympus were VERY helpful with 'diagnostics' via email and all that stuff. I had to send the camera back to their factory BUT I have to say that I was VERY impressed with the speed and efficiency that it was repaired (from first sending it to receiving it all took less than a week!) and it has performed flawlessly ever since (as you would expect I guess). I love the 'naturalness' and depth of the colours my E3 produces. The three different displays (veiwfinder, rear and top LEDs) are very clear and once used to, are quite logical and easy to understand. The focus time of the lenses is so fast and so reliable you sometimes have to be careful of using continual focus mode as it zooms in and out at such amazing speed it's quite bewilering. Single mode takes care of it so easily (or of course manual). I love the auto bracketing adjustments, and that it also does the same with flash too! The built in flash is great but the remote is even better!! I'm not experienced enough to go into details for the 'techhies' but the quality of photos speak for themselves and if it makes MY picures look great, then this has to be one TERRIFFIC camera! I would totally recommend it. If there was any criticism it would be the weight with the larger zoom lenses and the flash attached. It is quite heavy to say the least, but then that's why you have a strap to give your arms and wrists a break, right? Solid build, solid feel and superb results (anything less is MY fault!) give this a 10/10 for me!! | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-04-07 | | Underrated, yet outstanding! | 8 | NR | NR | NR | NR | | | | Helpful? | I upgraded to the E3 from my e500. Some of the things that enticed me were the additional focus points, and articulated screen. Everything else about the camera was just added niceness. The camera is pretty great. It's an obvious step up from the e500 in terms of quality, and performance. Images look beautiful, focus is a lot faster and more accurate. The tilting screen and live view are things that I wonder how I ever lived without....a HUGE boost to my shooting and the types of shots I can get. I think Olympus is underrated in the DSLR business. Because it uses a 4/3 sensor people talk a lot of bad trash about the system. But in real-world shooting, the E3 really stands tall. And I say this as someone who also shoots with a Nikon D300. Another great thing about the Olympus system is the availability of Olympus lenses. And the lens is what it's all about. Olympus lenses are second to none. I actually find that the Olympus lens lineup makes me frustrated about Nikon's comparably dinky lineup--and Nikon has A TON of lenses, but none that can match the quality/speed of Olympus lenses. Good luck finding an f2.8 telephoto lens of the same price or quality as Olympus' 50-200. Olympus beats Nikon in terms of lens quality, easily. Having said that, the things I don't like about the E3 are its low-light performance (the E3 is better than the e500 or e510 in low-light shooting but it still falls behind the competition) and its tendency to clip highlights. In low-light situations the E3 tends to produce noisy shots at higher ISOs or during long exposures--considerably noisier than many other cameras (but I wouldn't say they're unusable). Highlight clipping speaks for itself....overall the dynamic range of the E3 isn't as good as some cameras, but it's on par with others. Depends on the camera you compare it to. Those are the only two negatives I can think of. In terms of metering, it's very good, in fact I prefer how it meters to how the D300 meters (though the D300 doesn't clip highlights like the E3 does) because the tones are closer to the mood I want to get. More moody, tones whereas the D300 is a little too LOUD in its tones. Some of you may dig loud tones. Your mileage my vary. All around this camera is as good as my D300, and in many ways its better. In just those two areas (low-light, and highlight reproduction/dynamic range) its a little disappointing. But, for whatever it's worth, I do all of my "serious" or "important" shooting with my E3, not my D300. My E3 lenses are better, the articulated screen of the E3 is a life-saver, I like how it meters better...it's just a really great camera that I love shooting with. The E3 is an excellent camera, and easily on par with anything that Canon offers--and even better than a lot of what Canon offers. And its on par or better than everything Nikon offers, with the exception of the D300 (in my opinion). Nikons D300 is ever so VERY SLIGHTLY superior in some ways but then you don't get the same lens quality with Nikon, and that's the deal maker or deal breaker for me...lenses. If I could only keep one camera, I'd keep the E3...in a heartbeat. Get this camera! | Satisfaction | Score |
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| Overall satisfaction | 8 |
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| | | | | | | | Amazon.com customer | 2008-03-02 | | Great Purchase of a Great Camera | 10 | NR | NR | NR | NR | | | | Helpful? | Pro: - Great built, solid piece of hardware - Excellent image quality and ISO performance - Good menu layout (intimidating at first due to the astounding number of features) - Fast and reliable - Excellent lens line-up. Zuiko lenses are among the sharpest and lightest and most rugged out there. One of my favorites is the Leica 14-50mm Con: - a little big for a Four-Third body - no main dial for shooting modes (but you get used to it after a while and it doesn't impede handling speed) - When shooting continuously, user must wait for the buffer to be fully emptied to play back pictures.
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-02-09 | | Birth of a legand | 10 | NR | NR | NR | NR | | | | Helpful? | this camera is full of useful features with outstanding image quality. regardless of what you might hear that iso performance is inferior to competitors the iso is top class beside y u want to shoot at iso 1600 if you have in camera image stabilizer ? if you purchase that camera with zuiko 12-60mm lens u might have erratic auto focus at first specially at low light, do the firmware update and you should be fine. that camera is not for 1st time SLR user, it doesn't have scene mode, and there is plenty of costume setting. it takes time to fully master that camera its like wild horse once you are at the top of it the camera will serve you well. as all Olympus cameras the menu is easy to use and the super panel is great idea. problems: 1-auto white balance is not accurate indoors. outdoors its spot one. 2-the manual is not helpful to say the least, every thing is in p95 !!! 3-battery life is not the best. i advice to get extra battery nothing serious though
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-02-08 | | A Perfect Natural Photography Camera | 10 | NR | NR | NR | NR | | | | Helpful? | I mostly photograph wild birds, usually with a Zuiko 300mm f2.8 lens, often combined with a 2.0X teleconverter. It's a lot of lens, but the E-3 handles it superbly. Quick, accurate focus. Terrific exposure control, even in automatic settings. Enough pixels that you can crop in post-processing without compromising quality. Rapid shooting, even in RAW mode. I'm a fairly serious photographer and this camera does everything I need. It even feels good in the hand. All this an in-camera image stabilization as well. The IS alone allows you to shoot hand-held with a long lens down to 1/250 second. It's sturdy, too. The camera and lens set up spend most days clamped to a tripod, balanced on my shoulder, banging into shrubbery, or perched on rocks or in swamps. It's amazingly solid. Unlike the E-500, the E-3 sports a true USB-2 connection, so downloads of photos are much quicker. Other reviewers have said that some earlier Olympus accessories don't work with the E-3. That's inaccurate. Some older lenses and flashes can't take advantage of some of the advanced features in the E-3, but they still work just fine. My Zuiko 300mm f2.8 is proof of that. And yes, it does focus more quickly on the E-3 than on the E-1 or the E-500. If you are a nature photographer, I strongly recommend the Olympus E-3. It's a terrific example of a state of the art digital single lens reflex camera. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2008-01-02 | | Olympus E3 - Simply Fantastic! | 10 | NR | NR | NR | NR | | | | Helpful? | I've been using the E3 for several weeks now, and, frankly, I couldn't be happier! For me, all the controls are in the right place, and it didn't take long to memorize their locations and compose shots without pausing to look at the LCD screen menu. Not only that, but the Live View with the articulating screen has been an extremely nice addition especially when I need to shoot close to the ground or overhead. It takes a bit of getting used to (there's a slight delay when you shoot via Live View), but once you've tried it, it can be a godsend. What's very nice about the Live View, however, is composing a shot and actually seeing - real time - what the shot's going to look like before you take the picture! Regarding the "fastest auto focusing system," it does seem to be blazing fast; however, in low light conditions (like any auto focusing lens), it can lag a bit. Mostly, though, quick, blazing focus. If I had one nit, it would be the weight of the camera. It's a bit on the heavy side; however, it's solid, sealed, "splash proof," and I worry less about it than any other DSLR I've owned. I know I'll get used to the weight. Bottom line: A simply FANTASTIC DSLR! I am more than satisfied; I'm elated! | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-28 | | Faster, sharper, true-to-life and durable | 10 | NR | NR | NR | NR | | | | Helpful? | Sharp pictures, with true-to-life colors. Fast autofocus with any lens in the four-thirds standard. With my E-510 all of my lenses used to hunt incessantly in low light. Rugged: shock and weather-proof. User-friendly and telecentric. The best camera in the four-thirds standard. Matches and even surpasses the competition. Those who want their pictures sharp, without barrel distortion; those who need a shock and weather-proof camera; those who want the best glass available without having to pay extra for lens-stabilization, should look no further. With sensor-based stabilization and with a peerless dust-removal system, you'll be free to take your pictures indoors, outdoors, in low-light, at slow-shutter speeds and at the lowest ISO levels possible. That's why, in my opinion, concerns with grainy pictures at higher ISO levels are irrelevant . With this body, I haven't had to move beyond ISO 1250 at all and I have barely used the otherwise excellent built-in flash. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-27 | | Olympus Digital E-3 is a Superstar! | 10 | NR | NR | NR | NR | | | | Helpful? | Although I have been a Nikon f4s & Contax G2 User (35mm) for years, I have switched over to digital - and I am glad I choose the Olympus E-3 as my dslr. The camera is just a great piece of Photographic Equipment - providing me with a great way to transition from Pro 35mm to Pro Digital SLR. It is much lighter and compact than my workhorse f4s with all the same features plus many extras. Impressive metal body frame, water and air tight as a drum, progressive electronics and intuitive controls the camera rates a 5 star from me - would give it a 6 star if available. The camera cleans itself electronically - end of dust problems which is the plague of digital slr's. The auto focus is spot on perfect and really NASCAR fast! The meter is very good and can be set to matrix, center weighted average, spot, and a few others to experiment with. I have used the matrix which is very good, but prefer the center weighted metering strictly out of years of habit. For very akward lighting I prefer spot metering or manual to get the job done correctly. The camera for all practical purposes (except frame size) is a 35mm slr. One can choose aperature priority, shutter priority, programed auto, or manual exposure modes. There is plus and minus ev compensation up to 5. Bracketing, bulb, just about any shutter speed one could want are all included. There are numerous other features that can be turned on if one prefers. The 'noise' most people hear about in digital cameras (which is nothing different than grain on 35mm print film) is not present at 100-200 ASA. It is only minutely present at 200-400 ASA if you use a microscope to examine it - or for the rest of the world not present at all. At 400 - 800 ASA it is hardly noticable. As a matter of fact, there is less noise from ASA 400-800 than I have ever seen in the same ASA color print film, that is saying something for this digital. As I said, you can use this just as you would a 35mm slr and with a 2gig memory card you can have about 200 photos using the super fine mode which I prefer. For most shooting the fine mode would be perfect - super fine is just my preference. From what I have read the Sandisk 2gig III memory card is about the best you can buy. Most reviews say to stay away from every manufactures 4 or higher gig memory card, I listen to the reviewers on this aspect. The photos already taken with it have been exposed predominately in aperature priority and printed directly without the need for touching up through photo shop - a lengthy way to take photos, in my opinion - call me old fashioned. To me that is very impressive - almost back to using 35mm without spending hours on touch up for a '24 exposure roll' of film. However, I have cropped in photo shop and have changed some of the photos to experiment with it (e.g. from super sharp focus to soft focus for effect) and it is useful and may even be necessary for that one complicated lighting condition that only photo shop could improve upon. For the most part though, the camera photos are pretty near perfect right out of the memory card. The Olympus 12-60mm lens I purchased is superb, the optics are as good if not better than my Contax G2 lens (previously my sharpest lens, even over costly Leica's) and to have the proverbial 'cake and eat it too', it is a zoom lens! The lens offers me 35mm equivelant of 24-120mm in one lens - perfect for wide angle to telephoto which is the range most pros and 'civilians' use anyway. I have not experimented with the raw feature yet to the chagrin of my photographer friends. I understand from them that it basically produces a negative which is refined and printed through a program such as Photo Shop. For the professionals doing magazine layouts and covers, this gives them the ability to produce a job-set print without shooting hundreds of photos to get that one or two elusive top notch photo. I will try this, albeit I still like the old fashioned way of taking photos without photoshop or raw programs. Digital Camera Pros: A great thing about a digital is you can look at your photos and decide if they are good enough to keep, or you can delete them right then and there and re-shoot.....a definate advantage over film! Imagine going to Europe, Tahiti, Australia, China, Japan or somewhere else far away and not having to bring 30 rolls of film! You never have to worry if your photos will come out good either. No more worry about airport x-ray security ruining your high speed film either. Comparing Nikon D300 to Olympus E-3: While I was planning all along to get the Nikon D300, when holding both the Oly and Nikon in person and going through the motions with both, I picked the Olympus. The lens was exactly what I was looking for as an all purpose lens, the feel was great and I was very impressed with the camera feel and function. My only suggestion to Olympus and Nikon and the rest of the group is put the Aperature setting on the lens, not the camera body and put the speed on top of the body like the 'good old intuitive days of 35mm'. Cons of the E-3: So far I have not any cons to speak of, the camera performs perfectly doing what a camera should do..... allowing the photographer to be creative and concentrate on composition. While the Nikon does offer the D300 with 12MP and the Olympus E-3 offers 10MP, the difference is minimal, actually 8MP is all one really needs. Of course if you plan on blowing every photo up to poster size then wait for heavy, clunky, medium format digitals to come way down in price and when resting use the camera as a dumbell, if you can still lift your arms! Good Shooting. -Ray | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-23 | | E-3 is a winner! | 10 | NR | NR | NR | NR | | | | Helpful? | Long time E-1 fan but moved to Nikon D-200 when Olympus didn't release a 10mp body for years. The E-3 is fantastic and will keep it and the D-200! 1.Extremely fast focus 2.Low light focus blows away any camera I have ever used 3.Waterproof 4.Olympus Pro glass is wonderful...don't scrimp, get the Olympus Pro lenses with SWD, you won't regret the extra cost. 5.Love the dual chip setup...cf and XD...you choose which chip to write to 6.One very minor negative...when using the live view feature, autofocus does not function. Autofocus only works through the view finder. HOWEVER, manual focus does work with the live view. Now that I have played with this for a bit, I actually like it better the way it is. It's really nice to be able to use the live view for closeup shots and be able to manual focus. It would be nice to be able to turn the autofocus on and off for the live view just like you can through the viewfinder. 7.High ISO produces some amazingly good images. You can easily shoot 400 and 800 with little grain. Just starting to work with the 1600-3200. 8.Controls are a little different than the Nikon but easy to learn and easy to switch off using one camera or the other. 9.Built in flash is pretty good but not over about 20 feet I can't speak highly enough of this camera, it is outstanding.
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-19 | | The 4/3 System Finally Delivers On Its Promise | 10 | NR | NR | NR | NR | | | | Helpful? | I have toyed with the 4/3 digital SLR system several times since it was introduced in 2003, shrugged my shoulders and gone back to Nikon or Canon. Frankly, I had about given up on 4/3, but Olympus dropped the E-3 on us a few weeks ago and showed us it could be all they promised with 4/3 when it was first introduced over 4 years ago. ANY DSLR system is about lenses in the end, and Olympus 4/3 is blessed with superb optics. To get an idea of how really great the new Olympus glass is you need to use some of the top lenses, or read a few of the big photo sites like dpreview, imaging-resource, or DCRP. They have all finally acknowledged in reviews of the E-420/410 and E-520/510 that Olympus has the best quality kit lenses of any camera maker, and that the Olympus claim that lenses designed for digital produce better quality images is proving to be true. www.slrgear.com even went so far as to test most of the current Olympus lens line after being so impressed with the kit lenses on the 510/410. Olympus 4/3 is also by design an all-electronic lens mount - like Canon. Reviewers on the web tend to be so Canon and Nikon biased that they often forget really basic things like this. The 4/3 system has all motor driven lenses, and the lenses were ALL designed for digital photography. I am frankly tired of seeing reviews that talk of Canon as if they are the only company with all motor lenses. There are actually 3 - Canon, 4/3, and Sigma - although some of Sigma's other features are archaic and sales are very low so most just ignore them. Sony/Minolta and Nikon are not similarly blessed with an all-electronic lens mount, and many lenses are still noisily driven by screws on the lens mount in both systems. In fairness, Nikon has been moving rapidly to motor-driven lenses, but Sony seems stuck in their noisy and slower screw-drive AF even though they have used lens motors in a rare few long telephotos. The point here is that the 4/3 mount at least matches the best, and it is better than most. The Olympus issue has never been glass or lens mount , it has really been the options you had (or rather didn't have) in camera bodies to use with this excellent Olympus glass on an all electronic mount. As great as the current E-410 and E-510 really are, they are still saddled with an ancient and not particularly low-light sensitive 3-point autofocus system. Shooting in truly low light was all but impossible and your Olympus searched for focus while Canon, Nikon, and Sony locked on focus. There just wasn't a choice of anything better from Olympus. That is until the E-3. The E-3 takes Olympus AF from Sigma territory to state-of-the-art, and as soon as the new 11-point, all cross sensor, dual-plane AF module makes its way down the food chain, no one will ignore Olympus any more. I hope Olympus can also find a way to move the terrific E-3 feature of AF with manual touch-up down the food chain as well - because the other big Olympus issue is that stupid "Manual focus by wire" feature and Manual Focus select by menu - and it is mostly fixed in the E-3. This time around I bought an E-3 and a 12-60mm - and the tiny little excellent-quality kit lenses for when the 12-60mm weighs too much and I can compromise just a little on quality. I have added other Olympus equipment to my E-3 system quickly, like the unique 70-300mm (140 to 600mm equivalent with 1:1 Macro), the superbly sharp little 35mm f3.5 Macro that does equivalent TWICE life-size macro right out of the box, and the E-3 grip. I am completely and totally impressed with the E-3. All the lenses are designed for 4/3 mount and for best performance on a 4/3 camera - they aren't 35mm film designs. No other camera offers the combination of effective live-view, built-in image stabilization, the best auto sensor cleaning you can buy, an articulating LCD that can fold away for protection (AND a top LCD for basic data), a built-in pop-up flash, effective dust and splash sealing of the camera AND the lenses, a popularly-priced zoom that covers the equivalent of 140mm to 600mm and does Macro up to equivalent life size (70-300mm), MUCH improved noise reduction that goes to ISO 3200, user-programmable Auto ISO that can cover the full ISO range (Canon still stubbornly refuses to fully offer this option), and the best range of available lenses DESIGNED FOR a digital camera system. The E-3 is a bargain for a true PRO grade camera - and it is easily built as well as the Nikon D3 or the top Canons which are $5000 or more. You will get real value for the $1699 you spend on the E-3 body compared to any competing system from any company. However, most will find the E-3 expensive unless they are serious photo hobbyists or Pros, and Olympus needs to move the E-3 refinements down to E-510 price levels as fast as they can. The E-3 is a great piece of creative engineering, an area Olympus is known for. After all they invented auto-sensor cleaning and live view - which is now finding its way to every DSLR. This is the best Olympus camera EVER, and once you have used it you will be hooked.
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-12 | | olympus E-3 | 10 | NR | NR | NR | NR | | | | Helpful? | Awesome!!!!!!!!!!!!!!!!! Great!!!!!!!!!!!!!! Fantastic!!!!!!!!!!!!!!!! I have Three older lenses LOL(I laugh because they are not old, digital updates) some of the lens's that were not SWD (Supersonic Wave Drive) that also work great, but I have to say the lens's that go with this camera with the (SWD) will knock off your socks!!! It is a bit heavy with all the accessories, flash, battery grip, lenses, but lets remember I am older with weaker wrist. This camera drives me nuts, I have been years, trying to capture what I got with this camera in no time at all. It is as fast as they say, The buttons are easily accessible, I did a lot of research before I bought this camera, it used to make my husband think I was having an affair, LOL I was, this camera will make you feel like you have a new love in your life. Sincerely B.J.B. © 2007 | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-12-03 | | olympus has done it again | 10 | NR | NR | NR | NR | | | | Helpful? | I have had the E3 for just over two weeks and it does not disapoint me it works great. I upgraded from the great E510 to an even greater E3 the E3 is very fast and the white balance is right on. I did purchase the new 70x300 lens and it along with the E3 work great. I plan to purchase the new sonic wave lens down the road they look like they would just make the E3 even better if that is possable. I do lots of wildlife and landscape photos and the E3 will do a great job with the weather sealing mosture will not stop me. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-11-30 | | First impressions! | 10 | NR | NR | NR | NR | | | | Helpful? | <a href="http://www.amazon.com/review/R19LN5NYRRBNM3">Watch Video Here: http://www.amazon.com/review/R19LN5NYRRBNM3</a> I uploaded an improved review, my previous one turned out to be not all that helpful, maybe this one is better. Let me know by clicking Yes! :) A quick summary: Olympus made major improvements to their pro line in almost every facet-- structural, design, robustness, lens and imaging performance. The SWD lens performance paired with this body is outstanding, as you'll see in my video demo. The imaging sensor and processor are very good also. Noise levels are on par with the Digic3 processors from Canon. A fantastic buy, I highly recommend this camera for both professional and serious photo enthusiasts. There are plenty of very good ind-depth, technical reviews available. Here are a few I recommend: http://www.imaging-resource.com/PRODS/E3/E3A.HTM http://www.ephotozine.com/article/Olympus-E-3 http://www.letsgodigital.org/en/17474/olympus-e3-review/ | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-11-28 | | Worthy successor to the E-1; a great camera | 10 | NR | NR | NR | NR | | | | Helpful? | Although I have only had the E-3 for a little over a week, I find that it is an excellent camera. I am moving up from an E-1, which I have always found to be a great SLR with excellent images and color. The E-1 is getting somewhat dated (but still takes excellent pictures) and the E-3 is the perfect upgrade -- it follows up on the durability, and ergonomic design of the E-1, but has twice the resolution, much faster and better autofocus, built-in IS (image stabilization) that works with all 4/3 lenses, and has a useful built-in flash (which I find very convenient indoors, even though I also have an Olympus FL-50 flash). This is a semipro/pro camera that a serious amateur can really enjoy and that any photographer can use. It also has a better shutter (faster and rated for more use), better noise reduction, longer exposure time, and it kept the water resistance and dust removal filter that work very well for the E-1. It is not cheap, but it costs less than the E-1 did four years ago and does much more. I especially appreciate the fact that I can continue to use my existing lenses, batteries, flash, charger, cables, remote control, etc. that I used with the E-1. Everything was compatible. In all I am very happy with the E-3. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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| | | | | | | | Amazon.com customer | 2007-11-25 | | A 4 month usage of the E3 combined with 4 E-300 bodies + lenses | 8 | NR | NR | NR | NR | | | | Helpful? | 4+ Month update on the camera: This is still by far the best SLR cam from olympus. Neat features are everywhere like a full compliment of buttons on the portrait grip, and the ability to shoot as fast as your memory card can write, with the sandisk IV 5 FPS. First - the system I purchased was a pre-relase system and needed firmware upgrades. These were trivial with the software and usb cable Second - even though the 50-200 mm lens did not need an upgrade, two of us noticed that it suffered from the same "hunting" during autofocus that the original 50-200 mm did. The ability to see where the focus was happening with the LEDs on the viewfinder ofset this, but the speeds were not as promised. It's a minor issue, but not to spec. Third - Using it with to the 50mm prime lens Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras produced exceptionally fast focusing and improved resolution over previous bodies. Depth of field was exceptional using the twin flash accessory Olympus TF-22 Twin Flash Head (Needs FC-01 Flash Controller, FR-1 & SR-1) Fourth - shooting raw used to mean you always got a fixed size file. Now raw files vary in size. photo a 8.5x 11 blank paper and expect a small raw file, but photo a page from the phone book and it will be bigger. This makes estimating number of exposures a bit more tricky than it used to be, however raw exposure is still lossless and actually uses less space on the memory card than the 8MP cameras did. Finally - you get 3 sets of flash "GROUPS" with the E3. Each can be programmed separately for timing and illumination. Contrary to preliminary belief, the signalling is not radio frequency but uses the camera's pop-up flash to tell each group how it is to expose. There are some drawbacks in that you can not use a hotshoe mounted flash nor the popup flash in your flash scene. Using the remote controlled flahses (3 groups) must handle your lighting. The plus here is that you can tell each of the 3 groups to increase or decrease light output, for example you might want less light on the backdrop and more on the subject with minimum sidelight. If you have 3 50R flashes you can accomplish this "program" on the camera. Note, however, that the 50Rs must have their sensor pointed to the popup flash to get their instructions and have their flashtube aimed where you want it to go. It is very flexible for portrait photography and the only complaint seems to be the loss of the on camera flash to expose the shot since it must program each of the 3 groups. A group, by the way, can have more than one flash in it if you have a collection of 50R units. They also come with a tripod mount making it easy to use small tripods to locate the flashes to get their program from the camera and aim the light to your liking. Finally, they use the Olympus SHV-01 High Voltage Flash Power Pack (for FL-50, SRF11, STF22 & FC01) for rapid cycling in a studio environment. Combined with the E3's ability to bracket flash exposure which earlier cameras did not do makes this a valued feature. (the remainder of the review is a compilation of 3 people who purchaed prerelease sets of the E3 knowing that Olympus has always put out a quality product. We had difficulty obtaining all the parts needed but finally did get it all. Many people asked about compatibility which we tried to answer as best as possible, however older gadgets like the remote trigger have been reintroduced removing the USB trigger and a 6xAA pack has been introduced to the dual-rechargable grip, however it does not like to use the L91 lithium batteries due to the higher voltage) --original review below-- I've been an olympus 4/3 system user since the E300 came out at 8 MP, when I upgraded my E20N 5MP by 60% to 8MP so for me the E3 is only a 25% increase in resolution, but a lot of extra features. I bought the body because I print often on 24x36 size paper on an HP Designjet and that extra 25% can make a difference. I want to clarify that only certain 4/3 system components do not fit the E3's fast focus spec. Essentially Olympus has developed a new lens design for autofocus, the SWD. Older lenses WILL autofocus and mount and be recognized by the E3 even though newer versions of some of them have been redesigned. The difference between the non-SWD lens systems that have worked with the E1, E300, E330, E500, E410, and E510 bodies that you may already own and the new E3/SWD drive lens set is the focus on the E3 w/ SWD lens is specified by Olympus to be 170 ms, exceptionally fast. Some older lenses focus fast by design (EX: the 14-54 is fast and the 11-22 mm wide angle lens is really fast on all boddies) The focus on other lenses like the tack sharp 50mm prime lens can extend a barrel as long as the lens body and takes a while. The 50-200 also extends a very long and wide barrel during focusing which slows it down. To address this, and meet the 170 ms specification, Olympus redesigned the 50-200 into a SWD driven lens. Evaluation lenses are very fast focus because less movement is required. Wait to purchase them until the final release as a firmware upgrade is likely on the rare ones that were intended for prerelease evaluation. All OLY gear upgrades easily via USB. Olympus also put a very common feature of remote strobes with a radio link into the E3. This required revising the FL-50 Olympus FL-50 Electronic Flash for Olympus C7070, E1, E300 & E500 Digital SLR Cameras into the FL-50R flash FL-50R Wireless Electronic Flash which can be either a transmitter on the hotshoe or receiver, so a pair of the FL-50R flashes will give you the radio remote capability often added as a third party accessory, but now inside the flash itself. I have the -R but since the FL-50 works as well, my friends have not upgraded yet. We will update the R with timing info once we get 2 units and can test the radio ability. My friends and I have a variety of olympus bodies so we often trade pieces of the 4/3 system - we have verified the older FL-50 and non-SWD lenses can all be used despite some of the literature that emphasizes the need to buy the new compoents for the E3 system. TRUTH: If you want to meet the E3 specifications, you'll probably want the SWD lenses for focus speed and FL-50R for remote flash flexibility. If focus speed isn't high on your priority list you'll be happy and save alot of $ using older lenses and your flash, plus we've been discussing a likely price drop on the older (but good) glass out there. Olympus made a smart move selling the E3 as just a back - pick YOUR lens or keep YOUR lens from an upgrade, but now stores are making E3 "Kits" out of just about anything - buyer beware - my E3 kit contained prerelease SWD glass which is not a big deal just a firmware upgrade. This was from a brick & mortar camera store - not amazon. I made the mistake of buying the "KIT" the store assembled with only the new components for the E3. By un-kitting the body you avoid buying a slow, small, "made in china" lens you would never purchase if it were not in the kit. It requires stores, however, to stock lenses now! (Amazon has been a real help getting some oddball lenses) Olympus has kept up with their expectations - the noise reduction on long exposures is still there, and virtually all 4/3 system components work, except to take advnatage of the new focus system you need to buy the supersonic wave drive (SWD) glass which is all in the near $1000 price range. Write speed to the SD card is great - a fast card will continue to shoot as long as you hold down the shutter and there is room left (continuous mode) So far my olympus groupies have not yet bought a second FL-50R so I can not comment on its radio link. Once we pair a couple up I will update my review on the FL-50R's backwards compatibility with earlier bodies and take some backlit shots plus check timing impact. The twin flash Olympus TF-22 Twin Flash Head (Needs FC-01 Flash Controller, FR-1 & SR-1) and ring flash Olympus FS-RF11 Ring Flash Head (Needs FC-01 Flash Controller, FR-1 & SR-1) still work great with the old 50mm macro lens for some razor sharp macro exposures. The live-mos focusing is a pleasure to have again. The last time I had a live image was on my E20N, so now I can "see it the way the camera does" before pulling the trigger. (I'm mainly using 4 ea E300 bodies for scientific work before I got my E3) Focus checks are really easy with magnification. Everyone will especailly like the pivot mechanism designed for the screen -- this feature has been long overdue and is much appreciated as you have camcorder like flexibility on the screen. And speaking of the changes, Olympus FINALLY went back to the the electronic trigger and ditched the USB trigger which made them unusable with my lightning detector. That, for me, was a key selling point. It also made the FP-1 usable with the E3, along with a host of time lapse photography accy's such as my lightning detector that exposes very dramatic shots. If you have the once new, now old USB remote, you need to downgrade to the 3-pin original remote shutter release. Pros/Cons quickly: PRO's better resolution by 0-50% depending on your existing body, MUCH faster focusing and image processing, more features. Con's - some 4/3 accessories need to be replaced to get full value from the E3, and they command a professional price. Most 4/3 stuff still works like it always did, so I'm not too displeased as the 11-22mm lens is fast, but the ec-14 teleconverter has been re-done to an ec-20 t/c for the new SWD lenses (nobody I know has the EC20 yet) Be prepared to outfit your system differently to handle the E3 depending on your use. Olympus' mild bumpy upgrade path is what cost them one star on this product - I still could see giving it 5 stars by itself, and the lenses are fast in more ways than light gathering, but to say "certain 4/3 products got upgraded" is not acceptable when they have been interchangable through the whole E series and across vendor platforms (e.g. panasonic's 4/3 entry) prior to the E3. While the SWD was a necessity to make it happen, the flash transmitter could have been a sandwich in the hotshoe combined with a receiver hotshoe and mini tripod for the other strobe. At least Both FL-50's work with the high voltage chargers like the SHV-1 Olympus SHV-01 High Voltage Flash Power Pack (for FL-50, SRF11, STF22 & FC01). I do alot of macro work with Aperature priority F/10 and above so this was an important feature and I am very happy with the body's focusing using the neaar perfect 50mm macro prime lens. SUMMING IT ALL UP: Yes, you can use your "old" glass with the new body, but if you already have a 10 MP OLY back the number one reason to upgrade is the speed of the focus, which unfortunately requires new glass with the SWD system. Questions we still don't know are mostly about the future of SWD lenses - like will they introduce a 300mm SWD? If so, this is a serious competitor to the Canon lineup and I would not be surprised to see it on the sideline at a football game as a professional camera. If you are a newcommer to DSLR, this is a great entry point for a camera that people would call professional. If you are looking to save money last years' model will definitely drop in price with the E3 out there. Be sure to consider if your photography needs SEMI-PRO or PRO equipment with the E3. | Satisfaction | Score |
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| Overall satisfaction | 8 |
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| | | | | | | | Amazon.com customer | 2007-11-25 | | Great Camera | 10 | NR | NR | NR | NR | | | | Helpful? | Great camera. I own the E-300 and E-500 with both flashes and a couple of lenses so I desired to stay within the Olympus family, and I'm glad they came out with the E-3. -Unbelievably solid. -The tilt and turn screen is nice (mainly just to protect the screen). -Live view is neat for certain applications. -Auto WB is amazing with it's external sensor and TTL white balance detection. -High ISO is good. I shot Auto ISO 100-800 and 800 with no noise reduction is superb! -Viewfinder is excellent! -Image Stabalization is wonderful. I've been able take sharp hand held shots at up to 1/6 of a second and even managed a couple at 1/2 a second! With a telephoto lens you can get down to 1/20th of a second with sharp results. -Autofocus is very fast even with "slow" lenses. This camera is a worthy competitor to the nikon D300, canon 40D, Sony A700. I don't regret my purchase. | Satisfaction | Score |
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| Overall satisfaction | 10 |
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